
When Forbes declared
in May that "Hip-Hop Is Run by a White, Blonde, Australian Woman," they
quickly realized their mistake. Yet in the months since, that mistake
has come to seem like a sick prophesy: Iggy Azalea has, in fact, run the
rap game from a numerical perspective. She has made history by shattering records. She released a platinum single. She snagged fistfuls of Grammy nominations.
And this weekend, she lit a fuse on the powder keg of race
issues in hip-hop. The whole hip-hop community has finally taken Azalea
to task for building her career by stealing black musical sounds and
styles and using her whiteness to sell them to the masses. In the process, she has done little to actually give back to the hip-hop community except be flagrantly offensive. And black hip-hop artists aren't standing for it any longer.
How did it start? Azealia Banks was one of the first to call her out
on this. Originally, Banks slammed Iggy for ignoring black issues in
the wake of Ferguson and Eric Garner, dubbing her "Igloo Australia."
Banks is noted for her Twitter outbursts, but just a little while later,
J. Cole gave an interview in which he explained that hip-hop would
become a white genre
in 20 years, citing Azalea as a mark of that change. Banks resumed her
public criticism of Azalea just this past weekend, but suddenly she
wasn't alone anymore.
That's partially because Azalea fired
back at her with comments that outraged many in the hip-hop community —
she denied that hip-hop is fundamentally political music:
And
she showed her own total lack of awareness by pointing out that her
feud with Banks is probably the means by which most people in the
mainstream are currently discovering Banks:
It
turns out many people in the hip-hop community feel that Azalea is
actively working against black interests because she appropriates
traditionally black styles and totally divorces them from their
political content. That's why rapper Tyler, The Creator, A Tribe Called Quest's Q-Tip and R&B singer Solange Knowles all
came to Banks' defense, thanking her for speaking openly and
passionately about the issue of cultural appropriation. Kreayshawn also
stepped up to the plate, accusing Azalea of ignoring racism in her home country as well as in America.
But it was New York-raised hip-hop legend Q-Tip who had the most inspiring response — he gave Azalea a full hip-hop history lesson in 40 tweets.
Hip-hop is always political. Q-Tip took
the Twitterverse all the way back to hip-hop's very beginnings. He
described the conditions black people were living under in 1970s New
York, which hip-hop sought to address. He cited Vietnam, the rampant drug trade in New York's ghettos and their crumbling school systems. These factors, crippled children's support structures, "emasculated" their parents and forced children to turn to the streets and gangs for support.
But thankfully, hip-hop was born. With it, youth found a direction, and a way to channel their energies in a positive direction.
But not everyone was against Iggy Azalea. After Q-Tip finished, T.I. — Azalea's label boss and biggest supporter — took to Twitter for his own rant, defending her.
T.I. agreed with Q-Tip's facts, but argued that
his points encourage an "'All White People Wanna Steal Our Shit'
mentality." He ended on a positive note for Azalea:
Just most people. That, in turn, provoked a viral hashtag, #WhenTipTweets, skewering T.I. and Azalea.
It may seem mean, but she completely deserves it. Azalea
has been manipulating hip-hop culture for her own gain, and she cares
not at all for the broader hip-hop community or the music's place in our
culture. She's taken hip-hop's sounds, but hasn't given back to the
culture in any meaningful way when many white rappers have done the
opposite. Macklemore has showed support for Ferguson protesters. Action Bronson passed judgment on the Eric Garner ruling, calling it "disgusting."
The Iggy-centered Twitter war has brought
attention to a key issue in the genre, one that stretches beyond race.
As hip-hop becomes more mainstream and commodified,
it cannot lose its revolutionary origins. Hip-hop artists need to use
their exalted social platforms to speak out on social and political
issues important to underprivileged communities. Otherwise it will only
become empty dance music, with none of what makes it a vital art form.
Azalea
herself has yet to tweet anything since Q-Tip took her to school. But
when she does, we can only hope she'll have learned what hip-hop really
means.
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